A sequel to last year’s story “Devil of the Cradle,” this time we follow the changeling child Lorchan as he ventures into fae territory. The question is: will he find himself, or will something else find him?…
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Every artist has a muse that guides their hand; a voice that feeds them the truths of their craft and feeds on their triumphs. It’s a kind of creative symbiosis.
But what happens when that relationship becomes one-sided?…
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Aaalright, so we’ve talked about how Rowling approaches Allegory in her fiction. Now it’s time to look at some examples. This stuff is crazy good.
PS – HUGE SPOILER WARNING. This video is spoiler incarnate. You have been warned.
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Watching Fantastic Beasts and Where to Find Them gave us an appreciation for an aspect of Harry Potter we’ve never really paid much attention to.
Let’s talk about allegory, and Rowling’s ingenius approach to it.
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On the lookout for more ideas for the upcoming story. This time we’re talking SETTING.
Mostly looking for suggestions on:
—Environments
—Culture
—Context in general
—Time period
—Aesthetics
Any ideas?
“Words are, in my not-so-humble opinion, our most inexhaustible source of magic.” —J.K. Rowling, Harry Potter and Philosopher’s Stone
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“Of course it is happening inside your head . . . but why on Earth should that mean that it is not real?” —J.K. Rowling, Harry Potter and the Deathly Hallows
